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Brahms, Johannes - Violinsonaten
Brahms, Johannes - Violinsonaten
Številka: 39360340
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Brahms early on engaged with the violin sonata genre. As early as 1853 he wrote a sonata in a minor, which – like so many other youthful works of this self-critical composer – no longer survives. Thus the G-major sonata op. 78, written in 1878/79, is ..
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35,89 €
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LIBRISTO
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14.5.2024 -
16.5.2024
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Številka:
39360340
Predstavitev
Ta knjiga je v tujem jeziku: Nemščina
Lastnosti knjige
Originalni opis knjige
Brahms early on engaged with the violin sonata genre. As early as 1853 he wrote a sonata in a minor, which – like so many other youthful works of this self-critical composer – no longer survives. Thus the G-major sonata op. 78, written in 1878/79, is now counted as his first contribution to the genre; it has the nickname „Regenlied Sonata“ (literally „rain-song sonata“) because of the quotation from a song that appears in the finale. In summer 1886 Brahms composed, almost simultaneously, the two sonatas op. 100 and 108. All three works now have a firm place in the violinistic canon. We round off our volume with the Scherzo in c minor that Brahms contributed to the so-called „F.A.E Sonata“, which he composed together with Robert Schumann and Albert Dietrich as a gift for violinist Joseph Joachim in 1853. With its stark contrast between the turbulent allegro and the emotional più moderato part, his scherzo has become a popular bravura and encore piece. The present new edition is based on the New Brahms Complete Edition, and offers a musical text and commentary that have been revised according to the latest research. The fingering is by respective masters of their instruments Frank Peter Zimmermann and Martin Helmchen.
Lastnosti knjige
- Jezik: Nemščina
- Založnik: Henle, G. Verlag
- Vezava: Knjiga – Brošura
- Število strani: 202
Originalni opis knjige
Brahms early on engaged with the violin sonata genre. As early as 1853 he wrote a sonata in a minor, which – like so many other youthful works of this self-critical composer – no longer survives. Thus the G-major sonata op. 78, written in 1878/79, is now counted as his first contribution to the genre; it has the nickname „Regenlied Sonata“ (literally „rain-song sonata“) because of the quotation from a song that appears in the finale. In summer 1886 Brahms composed, almost simultaneously, the two sonatas op. 100 and 108. All three works now have a firm place in the violinistic canon. We round off our volume with the Scherzo in c minor that Brahms contributed to the so-called „F.A.E Sonata“, which he composed together with Robert Schumann and Albert Dietrich as a gift for violinist Joseph Joachim in 1853. With its stark contrast between the turbulent allegro and the emotional più moderato part, his scherzo has become a popular bravura and encore piece. The present new edition is based on the New Brahms Complete Edition, and offers a musical text and commentary that have been revised according to the latest research. The fingering is by respective masters of their instruments Frank Peter Zimmermann and Martin Helmchen.